Monday, October 31, 2011

A Thousand Words, at Least… by Ann Parker, Guest Blogger

I'm very pleased that Ann Parker agreed to do a guest post for us. Ann is a California-based science/corporate writer by day and an historical mystery writer by night. Her award-winning Silver Rush series, featuring saloon-owner Inez Stannert, is set in 1880s Colorado, primarily in the silver-mining boom town of Leadville.

It shouldn't be a surprise that Ann writes historical mysteries based in Colorado. According to her website bio:

"Ann's ancestors include a great-grandfather who was a blacksmith in Leadville, a grandmother who worked at the bindery of Leadville's Herald Democrat newspaper, a grandfather who was a Colorado School of Mines professor, and another grandfather who worked as a gandy dancer on the Colorado railroads."

Thanks for joining us today, Ann.

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A Thousand Words, at Least… by Ann Parker, Guest Blogger


It all started when I was zipping around eBay, looking for old photographs of Manitou Springs.

I was partway through the writing of Mercury’s Rise, which takes place in summer 1880 in Manitou Springs. My protagonist, Inez Stannert, travels to Manitou to see her sister and her young son, after nearly a year’s absence. Inez’s friend, Susan Carothers, accompanies her. I needed old photos of Manitou and its environs to help me re-create the area, but I found more. Much more.

You see, Inez’s friend Susan is a photographer (unusual, but not entirely unknown for that day and age). Sooo, when I stumbled across a cabinet card taken in the Manitou Springs area circa 1880 that was “Photographed and Published by Mrs. A. Galbreaith,” my research antennae began to quiver, and questions arose.

A woman photographer, taking commercial photographs in the very area I was writing about? Talk about serendipity! So, who was Mrs. A. Galbreaith? What was she doing in Manitou Springs? Did she actually have her own studio?

Intrigued, I began a search.

Mrs. Galbreaith wasn’t listed in the 1879 or 1880 or 1882 city directories. Unfortunately, the city directories from 1883 through 1885 are missing, and she wasn’t listed in 1886 either. Luckily, I made a connection with a local historian, who was able to tell me that Anna Galbreaith was indeed a local photographer back in the mid-1880s, and that she also ran a Manitou boarding house (a proper one, I hasten to add) called the “Ohio House.”

I found a couple more tantalizing references to Anna G’s work, far from “home.” She appears in the Guide to the Julia Driver Collection of Women in Photography (Gen MSS 690), by Matthew Daniel Mason, in the Yale University Library, where she apparently has a couple of cabinet cards as part of the collection. The other reference I found was in a Princeton University document, WC064: Western Americana photographs collection.

Mrs. Galbreaith rated a few lines in each of these documents for her landscape card photographs (cabinet cards), which are stored in these various collections.

Her cards also spring up, occasionally, on eBay, and I was lucky enough to snag one of “The Narrows,” in Williams Canyon, shown here.

Now, this card has turned out to be worth far more than a thousand words, not just for the image and for leading me to Mrs. Galbreaith, but also for the information printed on the back.

The back is a bit of an advertisement for the area (a device commonly used for “tourist destinations” of the day), and includes a chemical analysis of the various mineral springs in Manitou (an analysis which proved very useful for my story), as well as names of the springs, and a description of the area and its sights. All very germane to Mercury’s Rise.

The front shows a young fellow posing in “the Narrows.” Hmmm. What are the Narrows? Well, pretty much just as they sound: a very narrow portion of Williams Canyon.

Knowing that, I had to go and see the place in person, so I put it on my “must see” list for my research trip to Manitou Springs. My local guide obligingly took me partway up Williams Canyon, through the Narrows. Photographs were duly snapped.

The upshot? Mrs. Anna Galbreaith plays a small but significant role in my story (and gives my fictional photographer, Susan Carothers, a reason to travel to Manitou in the first place, as well as providing a place for Susan to stay that is near Inez and the action). I liked the idea of two women photographers in 1880, getting together and sharing techniques and stories.

And the Narrows… well, that particular geological feature comes in for a few words as well in Mercury’s Rise.

All in all, that find on eBay ended up worth far more than a thousand words!

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Thanks again, Ann, for an excellent post.

The latest book in Ann's series, Mercury's Rise, is out November 1. Publisher’s Weekly said, “Parker smoothly mixes the personal dramas and the detection in an installment that’s an easy jumping-on point for newcomers.” Library Journal added, “Parker’s depth of knowledge coupled with an all-too-human cast leaves us eager to see what Inez will do next. Encore!” Learn more about Ann and her series at her website. She is also a contributor to The LadyKillers blog.

Mercury's Rise and the other Silver Rush mysteries are available from independent booksellers' Indie Bound, amazon.com, Barnes and Noble and other places where mystery books are sold.

Leave a comment on this post by midnight (Mountain Time) today to be eligible to win a Silver Rush mystery prize! Winner will be announced later this week.

To see the rest of Ann's blog tour schedule, see the Appearances page on her website.

Friday, October 28, 2011

Halloween Hop and Giveaways

First the Giveaways

Northern Colorado Writers director Kerrie Flanagan is giving away one copy of the 2012 Guide to Literary Agents at The Writing Bug blog. The deadline to enter is Saturday, October 29th, at noon Mountain Time.

Sarah Johnson is giving away a copy of Michelle Black's mystery, Seance in Sepia, at Reading the Past blog. The deadline is Friday, November 4th. Read Sarah's review of this novel here.


Halloween Hop


Suspense Author Jeremy Bates is hosting a Halloween Hop this weekend. This is one more chance to make a few new blogger friends. As of yesterday afternoon, 89 bloggers had signed up for the hop.

In addition to posting the hop's badge and adding my name to the list, I'm supposed to visit as many of the participating blogs as possible this weekend, mention my favorite monster movie or book, and tell what my Halloween costume will be.

My favorite monster movie is really old. I loved Creature from the Black Lagoon (1954) because I was 12 years old and that movie scared the heck out of me. The only movie that has scared me more was Deliverance which I didn't watch all the way through until last year.

And my Halloween costume? I'll be dressed up as "me sipping a glass of wine while nibbling on dark chocolate."

Thursday, October 27, 2011

C. C. Harrison's Quick and Easy Way to Cook a Book

My guest today is C. C. Harrison, author of hundreds of articles and short stories as well as novels. When she's not writing, reading, or working out at the gym, she can be found in the mountains of Colorado or in some far-flung corner of the Southwest. She currently lives in Arizona, the setting for Picture of Lies. She also writes western historical romance under the name of Christy Hubbard.

Thanks so much for being here today, C.C.

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Thank you, Patricia, for inviting me to be a guest on your blog. I’m fascinated by the writing process and have always been interested in knowing how authors develop their books. I wanted to know specifically, step by step, what did they do? Eventually I realized there was no one way to write a book, and after my second book was published, I discovered a process that works for me – index cards. My critique partner at the time called them “cooking cards,” so here I’ll share with you my recipe for cooking a book. Follow directions carefully, then ENJOY!


C. C. HARRISON’S QUICK AND EASY WAY TO COOK A BOOK

PREPARATION TIME: Varies; days, weeks or months.

ASSEMBLE INGREDIENTS: Gather the following together in your mind or on paper-

- A story idea – Just a nugget will do, but more is better
- Character names – Physical descriptions can come later, but you definitely need names
- Setting—Geographic location, or specific city/town. It’s okay to make up a place name.
- Type of journey – Someone seeking something, keeping something, or getting get rid of something. Story goals are many, choose whichever appeals to you.
- A couple of major conflicts
- Ending – Yes, you need a general idea of an ending so you know what the finished product looks like.

MIX:

Combine all the above ingredients and stir gently in your head until the story begins to burst out of you.

THEN IMMEDIATELY:

Write a list of 20 (or more) events you want to happen in your story. This gets the creative juices flowing. Brainstorm!

ARRANGE ON COOKING CARDS:

Take a thick stack of 4”x6” index cards, and using a separate card for each, jot down story events, plot points, turning points, scene ideas, bits of dialogue, critical and/or emotional character reactions and stumbling blocks. Leave plenty of white space on each card so you can add more later. You WILL want to add detail as the writing progresses. Use back of card as needed.

SORT:

When you have a stack of cooking cards one-half to three-quarter inches thick (AND NOT BEFORE), lay them all out in no particular order on your bed or your dining room table. Carefully read each one. Then and only then, pick up one card at a time in the general sequence you think the events should appear in your book. By now, you will instinctively have a feel for this. Don’t worry about getting this part wrong, it can always be fixed later by rearranging the cards, which is why when you have your cards stacked in a general order, you will number them in the upper right hand corner IN PENCIL.

THIS IS YOUR STORY:

Wrap a rubber band around your cooking cards, or use a giant pinchy clip. Use the information on these cards one at a time to write your book, and you will always know where you are going even if you don’t always know how to get there. Shovel in huge amounts of creativity, triumph over innumerable challenges, and you will have a book.

This process is flexible enough to insert new ideas during the writing while still staying on track and moving in the right general direction. I revise my manuscript as I go, scene by scene, sometimes page by page, so when I reach the end, I have a nearly completed book requiring only minor revision and polishing, but no rewriting.

I used the process I described above to write my new book, Picture of Lies, a Five Star/Gale/Cengage October release. It’s the story of investigative journalist Keegan Thomas who travels to Monument Valley on the Navajo Indian Reservation seeking the whereabouts of people in an old photograph found in her grandfather’s belongings after his death. A child in the photo was kidnapped by missionaries and never returned. Keegan’s search for this child leads to a web of deception stretching back two generations, and the truth she learns about her own family is the most shocking betrayal of all. Nothing is true in the Picture of Lies.

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Thanks for this fun and educational post, C.C.

C. C. Harrison’s award-winning books include, The Charmstone, a mystery set in Monument Valley on the Navajo Indian Reservation called "An important book!" by Tony Hillerman. Next came Running from Strangers, and Sage Cane's House of Grace and Favor (written as Christy Hubbard), which was honored at the Aspen Institute as a finalist in the 2010 Colorado Book Award. Picture of Lies, another Monument Valley mystery, was released on October 21, 2011. Her fifth book is Cemetery Trees, a Michigan mystery. She is currently at work on The Missing Girl.

To learn more about C.C. Harrison and her books, visit her website and her blog.

Wednesday, October 26, 2011

Wednesday Scramble

NaNoWriMo

Just six days left to organize my life so I can churn out those 50,000 words in November. Many of my posts will be short, but I'll still have some great guest bloggers this month. Historical mystery writer Ann Parker will be my guest on Monday.


The Cold Case Squad blog

I'm also making a guest appearance at Joe Giacalone's Cold Case Squad blog on November 3rd where I talk about the crime writer's research into new technology such as Touch DNA to keep their stories up to date. I know, it's so unlike me to do a serious post on writing, but Joe's blog is serious business.


Your Chance to Win a Copy of Peas and Thank You (a vegan cookbook)

Writer friend Carolyn has a wonderful blog about food and artsy-crafty things at Hooked and Happy. Check out her post (with yummy-looking food photos) from yesterday where she offers her followers a chance to win a copy of this well-reviewed cookbook. The giveaway at A Week of Peas and Thank You is open to U.S. residents and will close at 8:00 PM Mountain Time on Monday, October 31st.


The Weather

A big snow was forecast for Colorado, expected to start around 9:00 PM last night and lasting at least into midday today. I'll have some photos for you on Friday. This is a drastic change from temperatures in the 70s and 80s we've enjoyed this fall. But after all, it is Colorado.


My Wine in Progress

I added raspberries and a pound of red wine grapes to my Concord grape harvest and am trying to make my wine without additives or yeast...just a little sugar to help the fermenting along. It will be interesting to see if I get wine or vinegar. I'll keep you posted.


What I'm Reading

I'm finishing up Swedish author Kitty Sewell's excellent novel of psychological suspense, Bloodprint, and will then start the new novel from South African author Dyon Meyer, Trackers. I seem to be reading my way around the world these days.


A to Z April Challenge for 2012

This blogging challenge has grown so fast that it now has its own site for friends of the alphabet called Blogging from A to Z April Challenge. Pop on over and join as a follower if you want to know more about the challenge or subscribe to receive updates.

Tuesday, October 25, 2011

Chiseled in Rock Tuesday: Thoughts on Halloween

I'm sure you want to know exactly what I think of Halloween, so follow me on over to Chiseled in Rock blog (and be sure to watch the very short video clip I found on You Tube to illustrate my point).

Monday, October 24, 2011

People and Things I Saw in My Town in October


Visiting mystery author Mike Befeler at Old Firehouse Books


More art in a public place


One of the pianos about town being tuned


A painted horse


A flash mob advertising a Rocky Horror Show


Another one of the pianos about town


And one more

Friday, October 21, 2011

One of these days I'm going to...

One of these days I'm going to:

1. Take a ride in a hot air balloon

2. Ask a biker to take me for a (short) ride on a Harley (as research for my next suspense novel)

3. Eat movie popcorn one more time (haven't done that in years)

4. Buy a leather jacket

5. Get my face painted during some festival or other (just me and the rest of the little kids)


What are you going to do one of these days?

Thursday, October 20, 2011

Writing Perseverance by Mark W. Danielson, Guest Blogger

Today I'm welcoming Mark W. Danielson, author of Writer's Block and other novels. According to his bio:

"Writing fiction allowed his imagination to run wild. Using real events as a base makes his writing both believable and enthralling. An actual FedEx DC-10 fire inspired Danger Within. Likewise, the suspicious crash that claimed the life of US Secretary of Commerce Ron Brown inspired The Innocent Never Knew. Both novels provide fast-moving reality-based suspense, and have received excellent reviews. His third novel, Diablo's Shadow, based on a child disappearance was released in 2008 to critical acclaim."


Mark, I'm so pleased to introduce you and your books on my blog.

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Writing Perseverance by Mark W. Danielson, Guest Blogger


Rarely do authors become overnight successes. Even the most successful ones toiled for years, and many died before their work was recognized. My writing history dates back to 1977 when Sport Aerobatics published an article of mine. Prior to that, I dabbled with letters to editors, and never considered professional writing because it was too cumbersome. I didn’t care much for long hand, and because my typewriting skills weren’t the best, I kept running out of correction tape. (For those unfamiliar, Wikipedia “typewriter”.) Still, I persisted in crafting articles by hammering the keys on this mechanical device and throwing the lever to get to the next line.

When the word processor came along, writing became fun again because the computer could keep up with my thoughts. Since then, over one hundred of my non-non-fiction articles have been published in a variety of periodicals. I have also written seventeen novels, but of those seventeen, have chosen to seek publication on four. Writer’s Block, the most recent, will be released in November, 2011. Set in Fort Worth, it is the first in the Maxx Watts detective series.

It is logical to ask, “If you’ve written seventeen novels, why publish only four?” In truth, I don’t want the others published. In one case, the story seemed too close to the movie Swordfish, even though I had written it long before John Travolta’s movie was released. I am holding onto two firefighting stories for a time when publishers will accept Mother Nature as an evil antagonist. Other stories are no longer topical, so chalk them up to experience. And because it takes such an enormous effort to get a book published, I prefer moving ahead to looking behind.

My first three published novels were written for specific reasons, but Writer’s Block was just plain fun. This who-done-it mystery offers a unique look inside the publishing world. I’m at a good place in my writing, and I expect Maxx Watts will be around a long time. We may share elements, but Maxx is hardly my alter ego. Having said that, my characters do stem from people I’ve met and experiences I’ve had over the years. Even the guy who aimed his .38 revolver at me and a grocery store teller in 1981 left his mark. Thankfully, no one got hurt, but such memories help create believable situations for my fictional characters.



Because writing is such a solitary act, it is important to make it fun. Allowing my characters a sense of humor makes it fun for me and my readers. Taking yourself too seriously can lead to an early grave. Mel Blanc, Warner Brother’s “man of a thousand voices” cartoon actor, realized he was just another cog in the wheel of life and had the last laugh by having “That’s All Folks” inscribed on his tombstone; the same words he channeled as Porky Pig at the end of each cartoon. Three simple words said it all for Mel. Now, that’s good writing.

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Thanks again, Mark. I hope you'll drop by to visit us again soon.

To read more about Mark and his books, visit his website. He is also a contributor at Murderous Musings, a blog about murder and mayhem and more.

Wednesday, October 19, 2011

Wednesday Scramble

Thursday's Guest Blogger

Mark W. Danielson is my guest tomorrow. Author of Writer's Block, the first in the new Maxx Watts mystery series, as well as several other mystery/thrillers, tells us how perseverance played a part in his path to publication.


Halloween Hop




Here's a cool blog hop for Halloween weekend. Check out Halloween Hop at Suspense Author Jeremy Bates and sign up to meet a few new bloggers and maybe pick up a few new followers. I mean, really, wouldn't you rather do this than tromp around town in a silly costume collecting chocolate?


Gearing Up for NaNoWriMo

This week I signed up for a two-night Jumpstart Your NaNoWriMo! workshop at our main library. Since it's my first time doing this 50,000 word project in 30 days, I figured a little extra advice and advance preparation wouldn't hurt.


What I'm Reading (and Watching on TV)

I went directly from Kitty Sewell's Ice Trap to her 2010 release, Bloodprint. This is psychological suspense at its best. I'm determined to make more reading time for myself, so I've dumped a few shows off my "To Be Watched" list. My new favorite, The X Factor, stays. So much amazing talent, and I love it that they opened up the age groups so a few over-30 performers are getting a chance to compete.

Tuesday, October 18, 2011

Chiseled in Rock Tuesday: Zombie Crawls

I've posted the information about Denver's Zombie Crawl and the Fort Collins Zombie Fest at Chiseled in Rock blog today. If there's a zombie crawl scheduled for your town, be sure to drop by Chiseled in Rock and leave your town, state, and the website url for the event in the comments.

If I attend any part of the Fort Collins fest, it will probably be the afternoon fun for kidz where I feel I can hold my own...I'm not likely to be out anytime in the evening in places where big zombies congregate. That's just too creepy

Monday, October 17, 2011

Two Plotting Tools for the Pantser by Jacqueline Corcoran, Guest Blogger

Jacqueline Corcoran was born in England, but has lived in various parts of the U.S. for most of her life. She now resides in Alexandria, Virginia with her husband, two children, two cats, and two dogs. She holds a Ph.D. in social work and has been a member of the faculty at the Virginia Commonwealth University in Richmond since 2000. Although she has published articles in numerous professional academic publications and eleven books in her field, Jacqueline is currently finding new opportunities in fiction, a craft she has worked on for over 28 years.

I'm pleased to welcome Jacqueline here today to talk about techniques that will help "pantsers" -- and I'm one of those so I appreciate all the help I can get.

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Two Plotting Tools for the Pantser by Jacqueline Corcoran, Guest Blogger


For good or for ill, I am a “pantser,” meaning that I am on the side of “make it up as you go along.” I’ve tried valiantly to be a “plotter” because my main genre is the mystery in which plot plays a central role. I’ve gotten better, but I still fall on the “pantser” side. Despite my orientation, I have found a couple of techniques useful for coming up with enough of a “beginning, middle, and end” thought out ahead of time so I don’t get as terribly stuck as I once did.

One technique that people often think of as an end result is variously called “the pitch,” “the log-line,” “the hook,” or “the premise.” Yes, it is usually used in a query letter to attract agents and/or editors when your novel is complete but it is also a great way at the beginning to test out your concept.

As for the mechanics of the pitch, in movies, it generally consists of one-line but up to three lines for novel writing is fine. Alexandra Sokoloff has the best breakdown of what she calls “the premise” I’ve seen. She is both a screenwriter and a novelist and hosts a blog called the Dark Salon. She says that the pitch has the following elements:

• a defined protagonist
• a powerful antagonist
• a sense of the setting
• conflict and stakes
• a sense of how the action will play out

On the blog, she has many movie examples and a few from her own novels, but here is an example from my mystery A Month of Sundays: In this edgy mystery, 25 year old Austin Police Department counselor Alayne Vaughan pursues her detective boyfriend's case, the alleged suicide of a local poet, almost losing her love, career - and life-- in the process.

This pitch has all the elements named above

• a defined protagonist (a 25 year old counselor, Alayne Vaughan)

• a powerful antagonist (an implied murderer)

• a sense of the setting (Austin, Texas)

• conflict and stakes (the conflict is inherent in the fact that she tries to solve her boyfriend’s case, which he most certainly does not appreciate; she loses her boyfriend, job, and almost gets murdered trying to solve the mystery)

• a sense of how the action will play out (it’s a mystery, so there are certain conventions, but also the protagonist has access to police information both through her job and her relationship with the detective)

What I like about this exercise is that it forces you to define some of the main elements of your novel and ensures that it has enough going for it so that it may one day interest a publisher.

Another tool I find helpful is to write a synopsis. This is also generally considered something you write after you complete your novel when you know everything about it, but I use it to get my bearings at the beginning. I first learned of this technique as a plotting device by Judy Morris in Writing Fiction for Children.

Basically, a synopsis is a summary of the book, discussing the main characters and plot, with the ending included. Charlotte Dillon, a romance writer, has collected numerous Internet links and resources for how to write a synopsis.

The working synopsis will evolve as you go but it forces you to think through some of the main plot points without getting ground down into too much of the details (unless of course you like that kind of thing). I won’t post my synopsis for A Month of Sundays here because it gives away too much!

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Jacqueline, thanks so much for this excellent advice and for being my guest today. The working synopsis has been very useful for me, even though I consider it a dynamic document subject to change at any time.

Read more about Jacqueline and her books at her website. Her blog, Memoirs of Mental Heath and Madness, includes book reviews of YA novels and follow-up articles related to the memoir topics.

A Month of Sundays is available from Whimsical Publications and from online booksellers, including e-books for Kindle.

Friday, October 14, 2011

The Pay It Forward Blogfest (and a Monday guest blogger)

Special Announcement

I have a guest blogger lined up for Monday. Jacqueline Corcoran, author of A Month of Sundays, will be here with a post on "Plotting Tools for the Pantser." Pantsers, for those not in the know, are writers who write by the seat of their pants. They jump into a story on page one, often with no idea where they're going. I hope you'll join us on Monday to meet Jacqueline.


Pay It Forward Blogfest


Today's the day. The Pay It Forward Blogfest from Matthew MacNish at The Quintessentially Questionable Query Experiment and Alex J. Cavanaugh is designed for blogfest participants to spread the word about three blogs they enjoy. Not only can you check out the three I mention today, but you can go to Matthew or Alex's blogs to see the complete list of participants and visit as many of them (and the three blogs they've recommended) as you have time for.

The last time I checked, 198 bloggers had signed up. All in a day's work, right?

The three blogs I'd like to feature are:

Chiseled in Rock -- this blog is kinda sorta affiliated with Rocky Mountain Fiction Writers. I'm a regular contributor there on Tuesdays (so of course I want you to drop by and check us out). At least once a month I promote new releases from members of RMFW. Since the genres vary from romance to horror, there's usually something there for everyone. Contributor E. C. Stacy posted an interview with bestselling author Jeanne C. Stein yesterday. A couple of days ago there was an article about ghost writing from (the warped mind) of Tamela Buhrke.

Foodie Road Show -- I've known this blogger (Angela) since she was just a little whippersnapper, but now she's a grownup who knows her stuff about gardening, creating recipes, participating in and winning cook-offs, blogging about food and taking great foodie photos. I'm including it here because we all eat, we all enjoy trying a new recipe once in a while, and the eye candy Angela includes on the site is reason enough to follow her.

Inkspot -- This blog is from the authors published by Midnight Ink, so all of the posts are from crime writers, but often about the writing process, research, the writing life, etc. Two Colorado authors I know, Beth Groundwater and Cricket McRae, post here. If you love to read crime fiction or if you're a fiction writer in most any genre, you'll enjoy this blog a lot.


After paying these folks a visit (and hopefully following their blogs), I hope you'll hop over to Matthew or Alex's blogs where you'll find the full list of participants.

Thursday, October 13, 2011

Catching the Clues by Elizabeth C. Main, Guest Blogger

Elizabeth Main is a writer who loves the Northwest and sets her novels in Oregon where she lives. A former English teacher, she now spends her time writing and trying to keep up with this rapidly changing world of publishing.

Welcome, Elizabeth. It's a pleasure having you here today.

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Catching the Clues by Elizabeth C. Main, Guest Blogger


Thanks for inviting me to your blog today, Pat.

You’d think a mystery writer would be adept at spotting clues, but I hopped aboard the writing merry-go-round twenty-odd years ago blissfully ignorant of the changes about to sweep the publishing industry. As Gothic heroines used to say, “Had I but known . . . .”

My first clue that times were changing came in 1993 from the comments of the experienced agent who apologized for not being able to sell my first book, a juvenile/young adult adventure novel which she thought had great potential. Puzzled that her efforts hadn’t yielded results, she sensed that publishers were becoming ultra-conservative in their acquisitions because of the new consolidation of publishing houses. We parted company amicably and A Star for Courage went into the drawer.

In 2000 I heard of this new-fangled thing called an ebook. With nothing to lose, I pulled A Star for Courage out of the drawer and submitted it. Hard Shell Word Factory published it as both an ebook and a paperback. It won an EPPIE as the best YA novel first published as an ebook in 2001. I did little promotion because, after all, an ebook had only limited appeal, right?

My second and third novels, a romance (Richer by Far, Avalon, 1998) and a mystery (Murder of the Month, Five Star, 2005) sailed through the publication process. I collected my advances, did a few bookstore events, a little radio and TV promotion, and felt great satisfaction in knowing that my books resided in libraries across the country. Then I sat back and collected royalties. No sweat.

Following the publication of Murder of the Month in 2005, I decided to stick with the mystery genre, my favorite. I then entered an extended period of writing the sequel, No Rest for the Wicked. I went to conferences and heard tales of huge changes in publishing--platforms and blogs and websites--but I was fascinated with writing, not marketing. Having already published three books, I naively assumed that I could navigate the system.

Big mistake. Five Star accepted No Rest for the Wicked, but, oh, how things had changed between 2005 and 2011. Did I have a website? A blog? Uh, no. Bookstore contacts? Many bookstores had gone out of business since 2005, including the indie at which I had worked. Did I Tweet? Had I networked with fellow authors? Not really.

While I had been hunched over my computer, dreaming up fictional clues for my characters, I had missed the neon signs pointing to the revolution in the literary world. I should have been honing Internet-based promotional skills for the previous six years, not merely for the six months prior to the release of my fourth book. Fortunately, writers are a generous group. The Five Star Author Group, Sisters in Crime, Mystery Writers of America, the Pacific Northwest Writers Association, and multiple writing blogs all provided ample assistance as I played catch-up.

I used this help immediately. For example, after Murder of the Month went out of print, all rights reverted to me. This spring, I gave the book new life. Using CreateSpace for the trade paperback, and Kindle and Nook for the ebooks, within a month I put Murder of the Month back in circulation. What a perfect lead-in to the August publication of No Rest for the Wicked.

CreateSpace deserves special mention. While it’s not a slam dunk to figure out the formatting, it’s within the reach of any computer-based writer. I followed their directions and formatted the work in Word 2007 before saving it as a pdf file. Whenever I became confused, I called Customer Service and received a return call within minutes from their superb team. Choices about font size, pricing, purchase of ISBN, and distribution channels were clearly explained, with many options available to me. Preparation of the trade paperback version took about 10 hours, including the composition of a new cover.

Best of all, I receive royalties from the sales each month. The new publishing world is fast-paced, more like a tilt-a-whirl than a merry-go-round. Speaking as someone who ignored for years every clue pointing to the need for change, I maintain that if I can leap aboard this exciting ride, anyone can.

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Thanks so much for sharing your story with us, Elizabeth. I love the fact that the writing community is so open and willing to help others with blog posts like this.

To read more about Elizabeth and her books, please visit her website. You can also find her on Facebook as Elizabeth C. Main.

Wednesday, October 12, 2011

Wednesday Scramble

Tomorrow's Guest

Elizabeth C. Main, author of No Rest for the Wicked from Five Star/Cengage, will be here with a post about keeping up with the rapidly changing world of publishing.


Agent Blogs

I follow BookEnds, LLC -- A Literary Agency blog, Rachelle Gardner, Literary Agent, Janet Reid, Literary Agent, Babbles from Scott Eagan, and Pub Rants (Kristin Nelson).

Do you have any other agent blogs to recommend?


The Office Cleaning Project

Finally, it's coming together. Most of my clutter is now in the hallway and will not be allowed back inside. Instead, I'm hauling down a box at a time to sort for shredding, recycling, or filing. I'm realizing through this process that I print too much stuff that quickly goes out of date, therefore wasting a lot of paper. I've resolved to print less and book mark more.

My desk has been turned so my back is not to the door. I've moved a few plants to my office -- I can protect them from Katie Kitten because she's only allowed in this room while I'm here. I finally hung up the bulletin board which I purchased two years ago (and the fact that it's slightly askew is barely noticeable). Katie has a clear path to her windowsill perch where she can watch the birds, squirrels, and the weather. And I'm off to buy a one-cup coffeemaker for my office to help me get through NaNoWriMo.

My writing life has changed more than you can possibly imagine, just by cleaning up my space.


What I'm Reading

Ice Trap, a novel of psychological suspense by Swedish author Kitty Sewell, is excellent. I'm having a tough time putting it down so I can get other work done.

Tuesday, October 11, 2011

Chiseled in Rock Tuesday: What's New from Rocky Mountain Fiction Writers?

I've posted the cover art and short synopses at Chiseled in Rock blog for several new releases from the members of Rocky Mountain Fiction Writers. Whether you like fantasy, mystery, or romance, you're sure to find something to add to your To Be Read list.

Monday, October 10, 2011

Walking the Beans...a nostalgic and way too long post

Most of you know I grew up on a farm in Illinois. It was like this:

I wandered down the dirt road, staying on the smooth ridge between two hard ruts that melted into black mud after a good rain. On this sun-baked summer day in 1953, I dragged my bare feet to raise puffs of dust as I passed--little clouds that hung for a moment in the air then sifted back to earth, leaving a powdery trail behind me.

Bored with reading, I snuck down to the drainage ditch to watch the muskrats and to wade in the shallow cold water. Wading was against my mother’s rules. Dirty shards of broken glass, as well as rusty nails that had worked free from the bridge’s worn boards, buried themselves in the loamy creek bottom, and poisonous snakes occasionally hid in the weeds and tall grasses along the banks. I looked back the quarter mile to the house to make sure my mother wasn’t watching before I climbed down the path my brother and I had worn in the steep bank below the bridge.

Perched on a large, flat rock, I plunged my feet into the water. The cold numbed my toes and eased its way up my legs. I stood up and took a couple of steps into the ditch then stopped and felt the mucky earth squish up between my toes as the creek bottom sucked my feet down like quicksand.

I yanked my feet free, stepped out of the murky swirl of mud I had created, and stretched out against the steep ditch bank. With my head tilted back, and both hands gripping clumps of tallgrass so I wouldn't slide into the ditch, I watched cotton ball clouds stretch and bend as they practiced their Tai-Chi forms in the sky. The silence was disturbed only by the far away drone of a tractor and the ringing song of a red-winged blackbird bouncing on a low-hanging branch of the spiny osage-orange tree that guarded the corner of our soybean field. The air smelled of white sweet clover and fresh-mown hay.

###

We were tenant farmers and not rich in possessions, but as a child I had no idea how poor we really were or how precarious our existence. Whether attacked by vicious thunderstorms, waves of ravenous Army worms, persistent and devastating droughts, or simply the landowner deciding to sell his farm, we were vulnerable to forces we could not control. In the midst of all this uncertainty, my father did what he could to make our lives better. The installation of indoor plumbing in the old house provided by our landlord was, in my childish opinion, his greatest accomplishment.

The original bathroom contained a yellowed utility sink equipped with an old-fashioned hand pump which spewed forth icy well water after a few seconds of hearty pumping. A large, claw-footed, porcelain-coated tub sat under the window.

The critical facility was outside: a weather-grayed wood outhouse inhabited by huge spiders and a stink that took my breath away in spite of, or maybe because of, the germ and odor fighting chemicals my parents poured into the pit.

When the weather was really wicked, my mother gave up and hauled out a white enameled metal pot.

“Do you remember,” my mother once asked, “how it felt when you got up in the dark, half asleep, and sat down on the pot without remembering to remove the freezing cold lid?”

Oh, yes, I still remember that.

We had electricity in those days, but our house was heated in the winter by two oil-burning stoves, one in the kitchen and one in the living room. On wintry days we huddled close to the stoves to play our games or read because the other five rooms were so frigid we could see our breath.

To combat the chill my mother conducted this drill at bedtime: she took soft flannel sheet blankets and warmed them over the heating stove then bunched them tightly against her chest and rushed toward the bedroom. At the last second my brother and I raced to our beds, jumped in, and curled into tight little balls to hold in as much body heat as possible. My mother then wrapped each of us in a warm blanket, tucked us in like cocoons, and covered us with blankets and comforters.

There were other ways our parents enriched our lives over the years. My father planted an ambitious garden that provided enough vegetables to feed us all summer plus fill the freezer for winter. He raised all kinds of livestock including cattle, pigs, and sheep so we ate high on the hog compared to many of our city friends. The work that accompanied livestock farming wasn’t always pleasant but the rewards made it worth the trouble.

Except maybe raising the dumbest and dirtiest creatures I’ve ever known: chickens. I didn’t think eggs were worth the blue pointy bruises the hens pecked on the backs of my hands when I invaded their nests; and I didn’t think eating chicken was worth the disgusting job of raising them, much less the machete murders and boiling water de-feathering procedures that preceded gutting and washing the carcasses.

The worst farm chore I ever had to perform was cleaning out the chicken house. When I lifted the first pitchfork load of straw matted down by ripe chicken manure and broken eggs, a foul ammonia-like stench filled the structure and contaminated my sense of smell for hours. To compound my misery, I had to dust the cleaned building for chicken lice, an odd requirement since by then most of the vermin were crawling around on my body. I ran for the house as soon as I was finished, jumped in the tub, frantically scrubbed, and finally submerged myself to drown every last tiny insect.

I had another bad experience in that chicken house. Too lazy to put on shoes and socks to gather the eggs one day, I slipped my bare feet into a pair of rubber boots and shuffled past the row of wooden nests, running the top of my foot directly into a rusty pitchfork that had fallen off its nail and lay partially hidden under the straw. I still have my foot, thanks to the knowledge and attention of my mother, the R.N., but it was a tough and painful lesson about common sense.

My brother, Bob, also has unpleasant chicken memories. When he was young and cute, he was also fearless, rebellious, and downright ornery. When Mother needed to do barnyard chores she lifted my brother up onto the seat of a tractor and left him well-guarded by a large and evil white rooster. The attack rooster was vicious; it circled the John Deere, making angry pecking and scratching motions and flapping its wings as if to threaten an aerial assault. Bobber, as we called him when he was little, wasn’t afraid of much, but he was terrified of that rooster. He stayed put, howling in protest, until my mother finished her chores and chased the rooster away by flailing at it with a broom. My mother’s intent was not malicious and definitely not intended to scar Bob for life. He seems okay . . . most of the time.

Bob and I were not allowed to climb the trees on our farm, but I wasn’t sure whether my father was afraid one of us would fall and break something, or whether he thought we would damage the trees. It didn’t matter. We climbed them anyway, every time his back was turned. A small cherry tree was our training tree, but we eventually broke a couple of limbs and my father found out. That was a painful lesson on the subject of obedience, a concept neither of us ever fully grasped.

When I was older, the perfect tree was a black cherry that stood at the corner of our orchard. I climbed very high and straddled the solid support of a big smooth-barked limb, hidden from the world by a natural lattice of branches and leaves, tiny sprays of white flowers in the spring, and small, blackish cherries in late summer. It was cool and quiet there. I leaned against the huge trunk and hid out for hours, reveling in the privacy and freedom (not to mention the thrill of getting away with something I was not supposed to do). I was one with the earth and yet high above earthly concerns. I felt as though, safely anchored by that tree, I could wander anywhere in the universe, and no one would ever know I was gone.

Now, of course, I realize my mother knew exactly where I was and what I was doing there, but being an experienced and rebellious tree-climber and secret-traveler herself, she never told my father.
###

When Bob and I were kids it was standard practice for central Illinois soybean farmers to “walk the beans.” The obsessive drive to keep a soybean field free of volunteer corn plants, butterprint, milkweed, and thistles (and the harvested grain free of foreign matter) created good summertime jobs for kids and farm crews for hire. It was a beautiful thing--a bean field with straight clean rows.

We walked the beans every summer, bullied out of bed at first light and sent to the fields with a hoe or a hook--a handle on a long rod with a sharp hook on the end. We usually covered three or four rows on either side, and walked from one end of the enormous fields to the other, back and forth, over and over. We spent at least two hours a day in good weather browning our skin, thinking, day-dreaming, or just being friends--but mostly arguing and throwing dirt clods at each other.

There were things to be learned out there in the fields. We learned that the velvety soft leaves of butterprint weeds make the best substitute for toilet paper; that our father had a very sharp eye and always noticed when we carelessly chopped out bean plants along with the weeds; that nothing tasted better than a drink of cold well water after a couple of turns around the field; and that even a dirt clod to the head didn’t hurt as much as skin brushed against the stinging hairs of a nettle plant.

My brother and I fought with great enthusiasm when we were kids, and the dirt clod battles were characteristic of how we dealt with our differences. As we got older our fights became more frequent, louder, and often involved smacking, pushing, and shoving. One day we stood on the porch and argued with such obvious loathing that my mother calmly came out of the kitchen and handed each of us a butcher knife.

“If you hate each other that much,” she said, “why don’t you just kill each other?”

She then turned and stalked back into the house, letting the screen door close softly behind her. I felt guilty, but I suspect my brother had his moment of temptation. I later found out that my mother stayed hidden inside, by the kitchen door, watching, just in case one or both of us missed the point of her lesson.

###

I had dawdled down at the drainage ditch long enough. A breeze had picked up and the clouds had become thicker and darker. As hot as it was, a thunderstorm was likely so I knew I’d best head home. I scrambled up the steep bank, pulling at old roots and strong weeds to ease my climb. On the worn planks of the bridge I stood, legs apart, hands on my hips, and stared across the clean orderly bean fields with a sense of pride.

When I looked to the west, however, I sucked in my breath to see the clouds had taken on the greenish black hue of an old bruise. I turned and started running down the road toward our house. My mother stood at the end of the driveway jerking her arm back and forth, waving something white in my direction. I knew I was in trouble, but I didn’t care. I was scared. I wanted to get home.

We made it through that storm as well as we made it through most others: the oak tree lost a large limb which fortunately missed the house when it fell; the wind jerked a storm window out of my mother’s hands and smashed it against the ground; and something cut a path through the once tidy soybean field leaving a fifty-foot-wide trail of flattened, twisted, and uprooted plants.

I didn’t think of the financial impact of that assault on our crops. I thought about the hours I’d spent in the field, the beauty and order I’d created, and how quickly and easily it had been stripped away. However, there wasn’t much time for the philosophical musings of an eleven-year-old. We were soon back at work, lifting and straightening the damaged plants as best we could, walking the beans, moving on.

Friday, October 7, 2011

Who Did You Kill Today?

This question is for mystery writers, so I sincerely apologize if the title of this post misled you in any way. On the other hand, even if you're not a mystery writer but like to read the genre, you might be interested in this topic.

Here's the thing. I've been wondering how other mystery/suspense/thriller writers choose the victims of the crimes in their novels.

Do you have a real person in mind when you knock off a character, like the the young man who bagged your groceries and smashed the bread under a bunch of bananas? Or the retail clerk who was so busy chatting with another clerk that she pretended you weren't standing there with a question?

I've never pictured a real person as the victim in my stories, but one of my old high school chums felt I was a little tough on old boyfriends in The Prairie Grass Murders, implying I had real life boyfriends in mind. Not true. Really.

Or do your victims come from your imagination and have no resemblance to real people?

Totally from my imagination. Really.

When you begin a mystery, do you know who your victim will be, or do you assemble the characters and give them all identities before you choose which one will be the victim of a scam artist or serial killer?

My writing happens as I write, even if I have an outline. In one manuscript I knew who was going to die, but I didn't know who the murderer was until I wrote that chapter.

And finally, have any of your characters died unexpectedly...meaning you typed the guy's demise before you knew it was going to happen?

Yes, this happened to me in my newest manuscript, Dead Wrong. I'm almost sorry the character died, though. I loved writing from his point of view.

So what about you? How does the process work when you write?

Thursday, October 6, 2011

The Endless Adventure of Research for the Historical Novelist by Michelle Black, Guest Blogger

According to her website, Michelle Black was "born in Kansas and studied anthropology in college, then went on to law school where she graduated with honors. In 1993, she moved to Colorado and began to focus on her fiction writing."

"In 2008, she spent several weeks in India and was privileged to study with her favorite Buddhist writer and foremost proponent of secular Buddhism, Stephen Batchelor."

Those are just two tidbits from Michelle's bio that I found interesting. You can read more at her website.

Welcome, Michelle.

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The Endless Adventure of Research for the Historical Novelist by Michelle Black, Guest Blogger


I have written six historical novels, the most recent of which, Seance in Sepia, will debut on October 21. They all have one thing in common for me: each required research that led me into new areas of life that I never saw coming.

My first novel, Never Come Down, took place in an old mining boom town-turned-ghost town in the Colorado Rockies. Of course, I turned to history books and old newspapers, but the real joy for me was hiking with my two small sons to local ghost towns. We lived in Frisco, Colorado, at that time, elevation 9,100 feet, and we were surrounded by what was known as the Ten Mile Mining District. The mountains were pocked with abandoned mines and mining towns whose fortunes had played out a century earlier. We all know the phrase, “If walls could talk....” Well, the ruins of those old towns practically sung with stories of their rise and fall.

Research for An Uncommon Enemy, my novel about the aftermath of the Washita Massacre, when troops of the Seventh Cavalry, led by George Armstrong Custer, attacked a sleeping Cheyenne village in 1868, caused me to search for a Cheyenne-English dictionary. When local bookstores and even Amazon.com had none to offer, I broadened my search and eventually located a linguist on the Northern Cheyenne reservation in Montana who had put together a beginning course in the Cheyenne language.

I ordered the course and was fascinated by the voice on the tapes, that of the late Cheyenne elder, Ted Risingson (who happened to be a grandson of the great Cheyenne leader Dull Knife—for those of you who might be familiar with Cheyenne history, or who have at least read Mari Sandoz’s amazing Cheyenne Autumn).

The linguist was producing the course himself out of the local Kinkos, but I thought the material deserved a much wider distribution. I owned a bookstore in Frisco at this time and so was very familiar with the wholesale book market. I approached the linguist and offered to professionally publish and distribute the course. He was reluctant at first to deal with a stranger, so I traveled to Lame Deer, Montana, and visited the reservation to meet with him personally. Soon I was able to publish “Let’s Talk Cheyenne” and make it available to libraries and bookstore outlets all over the country.

The experience was an amazing education for me and I feel proud to have contributed. in some small way, to the preservation of our rapidly disappearing Native languages.

My research adventure for Seance in Sepia took me all the way to London, though the story is not set there. The novel begins in the present day when a young woman buys an antique “spirit photograph” at an estate sale. The Victorians were obsessed with the occult and some photographers of that era claimed they could photograph the dearly departed during séances.

When the spirit photograph’s origins seem linked to a notorious 1875 murder trial, my historical protagonist, Victoria Woodhull, enters the story. Woodhull was a real person who, in addition to being the first woman to run for the U.S. presidency, was also a spiritualist. This was a lucrative career for a woman of that time period and widely respected. Spiritualists had their own trade organizations and even held national conventions.

Woodhull was also an outspoken advocate for Free Love, which earned her so much public scorn, she eventually left the United States and headed for England. There she married a wealthy banker and lived out the remainder of her very long life as the “lady of the manor” in the English countryside (proving, I hope, that living well is the best revenge).

I began to correspond with a descendant of her banker husband who had inherited all her personal papers. When he learned that my family and I would soon be visiting London, he invited us to dinner at his elegant Chelsea townhouse on Tite Street, just a few doors down from where Oscar Wilde once lived.

A memorable evening, to be sure, and one which reminds me how much my writing career continues to broaden my outlook and life experience.

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Thank you so much for this guest post, Michelle. You have a wonderful range of experiences to write about, so I'm guessing we'll have many more books from you in the future.

Learn more about Michelle and her novels at The Victorian West of Michelle Black as well as her blog of the same title. The first two chapters of Seance in Sepia are available here. You may also follow her on Twitter and on Facebook.

Wednesday, October 5, 2011

Wednesday Scramble

Thursday Guest Author

Michelle Black, author of a new mystery from Five Star, Seance in Sepia, will be my guest blogger tomorrow. Michelle's excellent post is about the unexpected side trips that happen while researching for historical novels.


I'm looking for Guest Bloggers for the first half of 2012

If you have a book coming out the first part of next year, and especially if you're planning a virtual tour, please keep this blog in mind. I'm especially interested in posts from crime fiction authors, most genres from Colorado authors, and debut authors in many genres. Contact me through the e-mail link in my blogger profile.


Pay It Forward Blogfest (Another Networking Treat Discovered via Alex J. Cavanaugh)

This one is scheduled for October 14th and offers bloggers an opportunity to send bunches of new readers to three of the blogs on your regular circuit. It's an easy blogfest, so give it a try. Just go to Alex's blog (linked in the title of this notice), read the rules, and sign up.


3 Tips for Professional E-Book Covers

This is an excellent post from Jane Friedman's blog. If you plan to self-publish an e-book, selecting good cover art is very important.


What I'm Doing This Week

1. Recovering from my writing marathon at the Northern Colorado Writers Retreat at Sylvan Dale Guest Ranch. I completed an outline for my NaNoWriMo novel, wrote a related research To Do List for said novel, and added about 4,000 words to a short story I'm working on. It was a very productive weekend.

2. Cleaning my office. Really!

3. Attending an evening workshop at the NCW studio given by literary agent Sara Megibow.

4. Pre-scheduling a bunch of blog posts.

5. And much, much more.

Tuesday, October 4, 2011

Chiseled in Rock Tuesday: The Scary Me Before My First Cup of Coffee in the Morning

If you've never seen me before I've had my first cup of coffee in the morning, pop over to Chiseled in Rock blog. I can be very scary in the morning.

Monday, October 3, 2011

Heart Warriors Book Trailer

Northern Colorado Writers member Amanda Adams has written a book about her family's experiences during her pregnancy and delivery of a child with congenital heart disease and all that has happened since.

"Five months pregnant, Amanda Adams was told her baby was missing half his heart and given two abysmal choices regarding her pregnancy: force her baby to fight for his life, or perform a late term abortion. Despite the fact that Liam's odds of death were high and his odds of suffering were absolute, Amanda chose life."


I had the pleasure of meeting this youngster not long ago. Liam has been through twelve surgeries, but to me he was just a regular kid with with regular kid charm. It's hard to imagine all this family has been through. I applaud Amanda's determination to put her family's story out there as memoir from her point of view in the hope that other families might receive comfort and support. I'm honored to share the book trailer for Heart Warriors here:





You can read more about Amanda and her memoir at Behler Publications. The book is due for release in April 2012. In the meantime, follow Amanda's blog at Amanda Rose Adams: Writing About Real Life. And if you know someone who has faced or is now facing this kind of life-changing event, please help spread the word.